CROSSINGS is an emporium of memories documenting Naples and New York along the imaginary 41°parallel that ties them on the same latitude line. Two cities in continuous metamorphosis, revealing how fragile the fringes between reality and the imaginary may be. Analog and digital meet to witness sounds of strangers, unknown horizon, private memories and crowded streets.These sound collecting events are aimed at creating a dislocation in the listener’s uncertain perception of space through sound: a sort of unerasable ’shadow zone’ for the imaginary city walker to inhabit a no man’s land where the boundaries between the two cities are hardly palpable, proposing a displacing where gaps between audio fragments become for a few instants a sole ‘modified’ city.
from Radio Helsinki
There are two main approaches to my artistic output. One is based on ideas. Thinking, considering, rejecting, building, destroying – everything inside my head. Mostly without notes, definitely without interim results. And then sooner or later the whole „product“ comes out like a chicken egg, ready to be published, staged….. or thrown away. The other approach is based on experiment. I simply throw myself into a situation with no ideas how to deal with them and work from there. It’s a bit like blindfolding myself and slowly removing the blindfold by running into things with my head.
For „Epic fail No. 9 mit Paukenschlag“ I followed the second approach. I had old but never published material on my computer. Mostly short notes (loops) of noise and beats. So I used chance operations to determine the length of every single track to be used („track“ as in multi-track-recording) and to determine when in time it would appear in my piece. There were over 130 tracks of lengths from a few seconds to several minutes. It all made no sense.