From a 100 days broadcast on the Landesgartenschau Gießen, datscharadio brought back an archive with audiofiles in a state of digital decomposition. the show takes three different depositories of audio material and traverses them to present an impossible algorithmic summary, ...Read More

In der dritten Folge von ENDZEIT FREQUENZ lassen Volkan T error & Toby Dope den Hšrer den musikalischen Horror spŸren. Es werden Songs aus den Filmen Dawn of the Dead, Woodoo - Schreckensinsel der Zombies, Psycho und Halloween gespielt, wie ...Read More

Carrier/Container/Detektor aims to break open the closed ecological circuit of material broadcast media by focusing attention on the means of reception and environmental conditions that affect both analogue and digital transmission, rather than on any extracted content within the broadcast message ...Read More

I Think Of My Skin While Gazing At You I like skin - in general. Very sophisticated part of us, keeping us within, clearly separated. With areas of different sensitivity, areas we cannot see ourselves, we cannot touch too. There ...Read More

Playlist: Khan Jamal "Give the Vibes Some" (USA) 1974 Unknown Ukrainian folklore "Bozhe, vidverny hmaru" (Oh Lord, Cast the Cloud Away)" (UKR) year unknown The Louvin Brothers "Satan is Real" (USA) 1959 John Martyn "I Don't Wanna Know About Evil" (UK) 1974 Twiggy Pop "Hitler ...Read More

“Alles kann nichts muss” Verrückt In Berlin, Oder Nicht: Die Blaue Stunde Alles kann nichts muss - von Verwirrten für Verwirrte, oder nicht. Die Blaue Stunde - ein poetisches Umschlagen der Gedanken. Die Zeit der Dämmerung zwischen Sonnenuntergang und nächtlicher Dunkelheit, sowie das Grauen vor dem Erwachen des ...Read More